They tumbled from his hands, a torrent of colors twisting and turning, catching the light in a way only his eyes could see.
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Great Northern: Remind Me Where the Light Is
I'm baffled. Why aren't these guys massively successful? Gorgeous (mostly) female vocals, huge, sweeping melodies, a real sense of atmosphere and dynamics... how is it possible that a profoundly dull band like Paramore is raking in bizillions of dollars while Great Northern is still toiling in obscurity? Answer: there is no rational explanation. Other answer: because you didn't realize you need to seek this album out and make it part of your life. Go ahead — click on the link, listen to the samples, and then buy/download the whole thing. It really is that good.
Aereogramme: My Heart Has a Wish That You Would Not Go
I never would have expected that my son would start demanding that I intersperse repeated playings of Ra Ra Riot's debut with a song called "A Conscious Life for Coma Boy," but that's what Aerogramme has brought to my life: a realization that my kid loves intricately layered, thematically complex music as much as I do. Or, at least, that he loves singing "I don't know how to get there... I don't know how to get there" right along with me. In any case, Aerogramme is a terrific Scots band who I only recently discovered - despite the fact they broke up several years ago - and this album, their finale, is as solid a summary of their appeal as you'll find: drama-saturated musicianship with arresting lyrics and gorgeous vocals that comes thisclose to going over the top... but ends up being just spectacular instead.
Sunn O))): Black One
I'm not sure how to describe this other than to say that it is, quite simply, the most nightmarish soundscape I've ever encountered, or want to encounter. In the most tremendously dark, disturbing and unhealthy sense possible, this is a remarkable accomplishment.
Mono: Hymn to the Immortal Wind
I know it's only May, but I have no doubt that this is a strong contender for the best album of 2009: a staggeringly emotional and powerful work that fuses the epic guitar spiral of Explosions in the Sky at their best with great symphonic washes and impeccable sense of drama of Sigur Ros. Yes, it's Japanese post-rock. Yes, there are no vocals. Yes, it's probably outside of most people's comfort zone. And yes: it really is so good that none of that matters in the least.
Ken Grimwood: Replay
What if you could live your life over again, with your memories of your first life intact? That's the question facing Jeff Winston, who dies suddenly in 1998 at age 43... only to suddenly find himself back in 1963, facing a world that's at once familiar and alien. And that's the question you'll find yourself contemplating as you follow Winston as he cycles through life after life - the book is, in many ways, a precursor to Bill Murray's brilliant Groundhog Day - even as he finds himself hurtling towards... something. The great thing is that this book isn't just thought-provoking: it's also a thoroughly engaging and enjoyable read that I'm finding myself flying through at breakneck speed... and that I'll anticipate missing as soon as it's over. Which, thematically, seems only appropriate.
Adam P. Knave: Crazy Little Things
If you don't already know Adam P. Knave from Polite Fictions and MamaPop... well, you should. But more than that, the dude's a gifted writer in multiple formats -- and Crazy Little Things, a short(ish) story collection and the first book of his that I've read, is a great place to start. Leaping from strength to strength, he presents compulsively readable snapshots of ghostly pageant contestants, bloodthirsty, revenge-driven teddy bears and the benefits of being a human/zombie crossover hybrid that leave you hungry for more, more, more. However, all of that is only a teaser compared to the (kind of) title story, which adds a stunning depth of feeling and character to a story of a man living in a psychiatric hospital who... well, I don't want to give it away, but I honestly don't think I'm being hyperbolic when I say that this story brought to mind nothing so much as Bradbury and Harlan Ellison. I'm dead serious: it's that good. Do yourself a favor and check him out.
Bill Simmons: The Book of Basketball: The NBA According to The Sports Guy
Honestly? I'm really, really enjoying it. I've been a professional hoops junkie for quite some time (although not nearly on the same scale as Simmons), and also a reader of the now-ubiquitous Sports Guy since back in '00-01, when he ran his old Boston Sports Guy website. That said, while his columns in ESPN generally fall far short of the once-spectacular highs of funny, readable, pop culture-saturated, sports-centric, so-good-you-have-to-email-them-to-your-friends awesomeness that he once achieved with startling regularity... this book is a resounding return to form. Look: if you don't care about the NBA, then you have no reason to ever read this book. But if you do - and you were born with a sense of humor - then this is absolutely essential reading. (And yes: it's better than Now I Can Die In Peace.)
Kate Atkinson: When Will There be Good News?
If Kate Atkinson isn't the best novelist in the English language today, I don't know who is. Honestly. This is the third novel in what is (to this point) something of a loose trilogy, following the terrific One Good Turn and the simply astonishing Case Histories (perhaps the best book I've read in the past 5 years). The newest addition follows suit, with multiple plotlines gently/violently swerving in and out of orbit with one another, intertwined by shared themes of lost children and lost childhood, the futility of the search for love and the awkward, desperate comedy it creates. In many ways it's terribly dire, but Atkinson's wonderful eye for detail and fantastically dry humor keep you plunging forward, page after page, until suddenly the book is done... and you wish there were more still ahead.
Neil Gaiman: The Graveyard Book
I actually got this as a gift last Christmas, but then it was swiped from me by a number of avaricious relatives... following a chase that lasted more than 6 months and spanned the upper half of the American eastern seaboard, I finally got my hands on it. And you know what? It was worth the effort. Closer in tone to Neverwhere than his other works, this is a lovely and quick-reading piece of gentle fantasy genius, with just enough unnerving darkness to keep adults intrigued and younger readers entranced throughout. It starts with a murder - or several, actually - then spends most of its progress in and around a graveyard, surrounded by the kindly spirits of the dead, the indifferent spirits of the living, and the ambivalant and/or hostile spirits of those who fall into the category of "other." Gaiman has yet to write any full-length novel that's less than entirely wonderful, and this is a rich and charming addition to his canon.