July 18, 2008

Another beautiful morning in early September

They tumbled from his hands, a torrent of colors twisting and turning, catching the light in a way only his eyes could see.

A few feet and a million miles away, we sat. The urge to do anything but was almost unbearable. I wanted - with a terrible, deep-set desperation - to fly across the room. To pull them from the air, to take his hands in mine, to hold them still and calm whatever compulsions that drove him. That had driven us all here.

He watched them fall. Listened to the syncopation, the impact, as they struck the carpet like hard pellets of rain. And then swiftly gathered them once more into his small hands. He lifted them up, and for a moment he held them high. They pointed out between his fingers, waxy shards of colored glass. And then, again, he opened his fists and watched gravity take hold.

Four pairs of eyes watched him carefully. Analyzed, agonized, watched him watching the crayons tumble to the floor. Notes were taken. Frantic, silent prayers held tongues unused to prayer. 

It felt like forever.

A voice I did not recognize: "Let's draw a picture." Her eyes were kind, and deeply focused, as she searched his face. Trying to capture his gaze. To make contact. But in that moment, there was no world other than that of crayons falling through the air. A gentle half-smile on his lips. His grey-blue eyes lost in wonder and fascination. Whether or not he heard his name in her voice, her invitations to play, to draw, to engage and react, his eyes did not waver. There was no other world.

She reached forward and began to gather them from his lap and the floor before him. He raised his voice in protest, a cry that did not find words but resonated across the room, unmistakable in intent and message. "It's okay, buddy," we said. We understood. We knew what he meant. We reassured him: everything is fine. 

(These are the three most magical words in the language. They dissipate fear. Vanish unspoken terrors. Soothe anxiety. Make the bad thoughts go away.)

Tiny tears formed at the corners of his eyes. Our hearts held fast, clenched tight in our chests, sheer force of will and hope against hope the only adherents keeping them from splintering like rotten ice, from falling apart once and forevermore. 

She spoke again. "Okay, now we'll play a new game." Redirection. "We're going to play with some blocks now." She pulled a clear plastic cylinder from the case. Inside were small plastic blocks; white on some sides, blue on others. "Would you like to play blocks with me?" Her eyes again searched his face, looking for contact, for response. He calmed; focused on the blocks. She repeated, "Would you like to play blocks with me?" 

My wife could not help herself. She spoke his name. "Do you want to play blocks?" she asked him. Pushing him. Engage. Please. Engage.

"Yeah," he said. His small voice. A half-smile dancing once more across his face. 

The woman nodded. The cylinder opened and the blocks poured out. Before she could even begin to ask, he began to stack. "You're stacking!" she said. "How high can you stack?" His eyes on the blocks. Watching carefully. Task-focused. Four high. Five. Six. Collapse.

"Good work," she said. "How about..." but he was already stacking. Four high. Five. Six. Collapse.

She took his hands in hers. "You're very good at making towers," she said. "But let's try a different block game. Here, watch me." She pulled the blocks towards her and put three together, horizontally. "I made a train! Choo-choo! Look, I can make it longer!" She added another block. "Would you like to try? Here, make a train!"

He took the blocks. Began stacking. Four high. Five. Collapse.

Redirect. "We're not doing towers anymore. We're making trains. Here, watch me do it again." She repeated the process, then pushed the blocks back to him. "Your turn."

Four high. Five. Six. Collapse.

I could hear the blood pounding in my ears. The air felt heavy in my lungs. Leaden. The press of gravity enormous.

"Maybe we should try a different game." Redirect. "We can make another tower, okay? But this time, we'll do it all in one color. Here, watch me." She constructed a four-block tower, all blue sides facing him. "See? I made a blue tower." She held up another block. "Some sides are white, and some are blue. I made my tower so it's all blue." She pushed the blocks over to him. "Can you make a blue tower?"

Four high. Five. Six.

White. Blue. Blue. White. Blue. White. Collapse.

Four pairs of eyes, watching carefully. The other woman, glancing down at a pad of paper. Her hands busy, taking notes.

"Alright," she said. "Maybe this is a good time to ask you some questions." She looked at us. Her eyes clear behind round lenses. Intelligent. Seeking out ours, trying to engage. 

Four voices, back and forth. Questions. Answers. Interpretations. Hypotheses. Spin. My wife, keeping her voice steady. Something like confidence. Mine, soft. Careful. Bending in the wrong places. The deafening rush of blood. Concentrating on each breath. Smooth. Steady. Calm. 

Looking over, watching him play on the floor. Beautiful boy. My skin stretching tight across my jaw, around my eyes. The air so heavy in my lungs. Hearing his mother's voice, he momentarily glanced up. I gave him a smile. "It's okay, buddy," I told him. Everything is fine. My heart swimming in blood and love and terror.

Questions you never dreamed you would be asked.

Eventually, they stood. "We're going to put together our notes, and then we'll come back in and talk some more." My eyes on the floor, on my son. Not ready to meet their gaze. And then the door shut, and we were left alone.

We sat at opposite ends of a small couch. The only question we had for each other: "What do you think?" But no way to answer. What you think. What you know. What you want to believe. Looking at each other, looking away. The little man, sitting on the floor. One leg straight, the other bent at the knee, the sole of his shoe rubbing against his pale calf. An imperfect triangle.

The blocks, slowly climbing towards the sky. Four. Five. Six. Collapse. Again.

Forever ticks by in seconds. Terrible, long seconds.

And then the door opened, and we drew in deep, long breaths. Filled our lungs, as if tasting new air for the last time. And they closed the door, and sat. Looked at us. And spoke.

"He's on the spectrum."

Four. Five. Six.

"Autism."

Collapse.

July 14, 2008

Suck or No Suck: Summer 2008 Edition

Yeah, I know -- I've been remiss about posting. Sorry. I returned from my recent vacation to an F5 twister of workworkwork that instantaneously buried me under a pile of debris, demands and stress. Hooray!


Subsequently, in lieu of anything of real substance, I bring you a brief recap of all things media I've encountered recently, and their relative levels of suckitude...

SUCK: Semi-Pro, which blew giant rotten whale chunks while still managing to be not quite the worst movie in Well Ferrell's career (thanks, Kicking and Screaming). The worst thing about it is the fact that there are a lot of great ideas buried in this movie, but they failed on every level to bring any of them to life. The ABA is a great subject for a movie - Terry Pluto's fantastic oral history of the league, Loose Balls, provides an ungodly amount of quality source materials - and Semi-Pro brings together a solid cast (including OutKast's Andre 3000 as a quasi-Dr. J) for what should have been a hugely entertaining 90 minutes. Instead... what you get is long stretches of awkward dialogue (including long pauses that presumably allow for audience laughter, but instead serve as increasingly awkward reminders of just how good a time you're not having), the completely incongruous appearance of Woody Harrelson in a role that appears to have been grafted (unsuccessfully) from a totally different movie, and the realization 45 minutes in that you're bored stiff... and only halfway through the film. 

NO SUCK: The Kingdom, which was way better than we had any reason to anticipate it would be. Directed by Peter Berg in much the same visual style that he used for Friday Night Lights (world-class book, great (if underappreciated movie), strange show), The Kingdom focuses on an FBI investigative team that is brought into the kingdom of Saudi Arabia (under absurd political pressures and circumstances) to look into a terrorist attack on an American oil company's employee compound. It's an interesting plot, but that summary doesn't begin to do justice to the relentless tension that occasionally breaks into jarring moments of explosive (figuratively and literally) action that literally had TheWife and I sitting on the edge of our couch. This is a thriller in the best possible sense: it gets you intellectually and emotionally involved even as it drags you through a white-knuckle ride where you honestly feel that anything can happen at any time. 

SUCK: Actually, suck doesn't begin to describe this, but I was deeply saddened recently to learn that Kris Angylus - half of the husband-wife duo who comprise The Angelic Process - committed suicide in April. Their music, while clearly not everyone's cup of tea (an impossibly heavy doom-metal exercise in drone and atmosphere that called to mind elements of shoegaze, refreshingly free of the goofy cookie monster vocals that mar so much of that genre), caught and kept my ear well beyond my expectations. While I was trapped in my office on the Fourth of July, I took advantage of the fact that I was the only human being in the building to play Weighing Souls with Sand over and over again at top volume... it kept me focused, angry and motivated. Anyhow, following that, I decided to try to hunt down some of their earlier and even more obscure stuff -- only to discover that singer/guitarist/apparently very good guy (per the message boards I skimmed) Kris had succumbed to his depression, leaving behind a devastated wife, a legacy of surprisingly moving music, and a big empty hole where there was once a promising future.

NO SUCK: I realize that I should probably be embarrassed by this, but honestly I can't recall the last time I laughed as often or hard as I did at the first couple of episodes of Wipeout. Yeah, I realize that this is a short-term fix, and what leaves me in hysterics now is going to get real old, real fast... but for now, you just can't beat it when it comes to primal slapstick comedy. 

NO SUCK: Sigur Ros. I've been on something of a Sigur Ros binge, actually. First, their new album (and no, I won't even attempt to type the title... I'll just refer you to the review on the right and presume you'll do the right thing and click through to Amazon and buy it) came out and made me a happy little worker bee. Then I found out they're going on tour later this year, and as I've read that seeing them live is something akin to a religious experience... well, you know where I'll be on September 19th. And then, to top it all off, I ended up spending a very happy 2ish hours on Saturday night glued to the Sundance Channel, where I'd happened across the strange and lovely documentary about Sigur Ros and Iceland, Heima -- which is just a hypnotic, lovely experience. 


And finally, on a completely different note...
NO SUCK: TheWife got a new job! After 10+ years of toiling for her international conglomerate - the last several with her noggin wedged up against a multi-faceted glass ceiling - she's found new employment at a place that... well, when we first started this job search, we basically listed everything she'd hope to find in a different position. A wish list, basically. 

And the new job? It's a match on almost every point. Local headquarters. Decent salary. Great title. Good people, and the chance to make a very real impact on a lot of different levels. In short... it's pretty badass.

Boo-ya!

July 07, 2008

Raspberry Claws

Raspclaws

July 04, 2008

Welcome back from vacation. Never do it again.

Why yes, it's the Fourth of July. Am I out being festive with my family, perhaps enjoying a leisurely BBQ lunch (as it's now 12:36pm)? 


Why, no. Because I'm sitting at my desk. At work. Because, apparently, if I don't put in about 5-6 hours today the world as we know it will come to an end.

Good times.

June 29, 2008

Notes from the Forbidden Northlands, Part II

  • If you're a woman in your 60s driving a large, American car with the license plate KDDK - and you happen to be a terrible, terrible driver - please know that the angry couple with three howling children in the SUV trapped behind you on the looooooong 2-lane road to Vacationland will refer to you as "Kook" as they curse you until the end of time.
  • Nothing smells worse than kids' Tevas that have gotten soaked in salt water and then dried wrong. Putting them on the next day is like strapping rotting moose asses to your kids' feet. 
  • Old Maine joke but still my favorite Maine joke: "Bangor? Hardly know 'er!" (It only works if you say it with a thick Maine accent.) 
  • We took a horse-drawn carriage ride through the park, which actually turned out to be one of the high points of the trip -- a surprisingly scream-free experience in which I discovered the rationale behind the phrase "pissing like a racehorse." Wow. I'm pretty sure I've never been that impressed by gallons of urine before. 
  • On that ride, we were pulled by two huge horses named, homonymically, Dick and Vic. Which led to this conversation on our drive home afterwards: TheWife: "Did you guys have a good time?" Rabbit & Butterfly: "Yeah!" TheWife: "Did you like the horses?" All three kids: "Yeah!" TheWife: "Do you remember their names?" (brief pause w/o answers) TheWife: "They were named Dick and Vic." Butterfly: "Yeah! Mommy, do you like Dick?" 
  • At that point, I came thisclose to driving into a tree. 
  • Possibly my favorite part of the entire week: meeting my friend ScienceGuy, his wife and adorable just-turned-1 daughter at the same restaurant where TheWife and I had our wedding rehearsal dinner about a million years ago. Two-plus hours of sitting in open air in one of my favorite places in the world, good food, a couple-two-t'ree blueberry ales, my kids miraculously deciding to behave themselves the entire time, catching up with old friends... damn, that's what a vacation is all about.    

June 25, 2008

Notes from the Forbidden Northlands, Part I

  • Four days down, three to go. All children still intact. So far.
  • Apparently, when you go on vacation with young kids, that means you're going to the beach. Every. Fucking. Day.
  • Cranky old people will not be shy at all about shoving both you and your young children out of the way - and I mean shoving in the style of an old-school hockey check - if you stand between them and a restaurant restroom
  • Blueberry ale = a pint of heaven. Honestly.
  • Was I smart enough to rent a house with wireless internet access? Oh, yes. Is my wife happy about it? Not really.
  • Bugs in the Maine woods are big. Like, Cloverland big.
  • In about an hour, we're going on a horse-drawn carriage ride. Odds that it will end in tears: 80%.

June 20, 2008

2x3

This Sunday marks three years since these little mammals arrived, and signaled the end of the world as I know it. Please join me in celebrating the twinpocalypse...


PerfectPair BeachkissShesellsseashells

June 19, 2008

It was all downhill from there

High point of my work day yesterday: a long and passionate discussion in which I made a very real attempt to persuade my colleagues on the strategic benefits of a photo shoot involving the stomping of baby ducks.


(Note: They chose to go in another direction.)

June 18, 2008

Let us speak of journeys in the non-Steve Perry sense

Celtics17 1. First things first: my Celtics. If you'd have told me a year ago that they'd be celebrating a championship - never mind an honest-to-god blowout of the artist formerly known as Kobe & co. - I'd have stepped back slowly (making no sudden moves) before asking gently if you'd forgotten your antipsychotics. Seriously... at this point last June, we were looking forward to Odom/Durant and another 3-4 years of rebuilding before the Celts could become a serious contender again.

Un. Fucking. Believable.


2. Btw: have you ever seen a team in a championship situation give up the way the Lakers did last night? Seriously -- it's like Phil Jackson's halftime speech consisted of nothing but repeated kicks to the groin... by four minutes into the third quarter, they'd stopped playing defense and had abandoned any semblance of an offensive strategy. They weren't even contesting open threes by Ray Allen... and Ray Allen... and Ray Allen...

It just became abusive (although I'd be lying if I didn't say that I enjoyed it thoroughly). And as Mr. Big Dubya pointed out in an in-game e-mail to me, that hard foul KG put on Odom in the fourth quarter - when Odom tried to drive to the basket and KG responded by putting him unequivocally on his ass - was one of the greatest F-U sports moments of all time.

To get a little Bill Walton for a moment, they were terrible -- just terrible. An awful display from any organization competing for a title. And Kobe? Forget about "becoming the next Jordan." I don't think you've even got the right to the title of "best player in the game" anymore. Look at the way LeBron fought the Celts down to the wire in the 2nd round -- that's how you play the game, you colossal jackass.

3. But on to more important things: a vacation. To be more specific... a family vacation. To be even more specific... our first full-week-away-from-home-vacation in four years. And to be even more specificer than even that... our first-ever family vacation with our full starting five.

I don't know whether to be excited or apprehensive. All I know is that in Maine... no one can hear you scream.

4. Speaking of potentially life-changing journeys... TheWife is finally beginning her job hunt in earnest, after 10 years with the same company. Please join me in impassioned prayer for a job that will not only motivate and reward her, but one that will pay her enough money to enable me to leave my job, send my kids off to boarding school, and begin enjoying the life of sloth that I so richly deserve.

June 16, 2008

Words fail me

Wontyoubemyneighbor Why yes, that is my neighbor painting over the duct tape that he wrapped around his front porch. Why do you ask?

Do You Hear What I Hear?

  • Neilson Hubbard -

    Neilson Hubbard: I Love Your Muscles
    A limp, wet noodle of an album, and a huge disappointment from one of my favorite singer-songwriter types. Admittedly, my expectations for this were high -- especially given that Hubbard had previously put out the quiet and beautifully meditative "Stars" and the often-wrenching "Why Men Fail," which is easily one of the best records you've never heard. What do we get instead? EZ listening, bland lyrics, unimaginative arrangements... by the time you reach his cover of "Lady in Red" (shudder) you may wonder what you ever saw in him in the first place.

  • Alcest -

    Alcest: Souvenirs d'Un Autre Monde
    This one's easy to describe -- kind of a folk/black metal hybrid that ends up sounding a lot like shoegaze. With French lyrics. Wait... where are you going? (Honestly, it's really quite lovely. And sad. Even with my dim recollection of high school-level French, I can figure out the sad part. Plus, it's pretty much a guarantee that you'll be the first kid on your block to hear it...)

  • Sigur Rós -

    Sigur Rós: Med Sud I Eyrum Vid Spilum Endalaust
    Bliss. Just... bliss. And no, I don't know how to pronounce the title. And no, it couldn't possibly matter less. This is a sunnier version of Sigur Ros than we've encountered before, but no less breathtakingly gorgeous. Run, don't walk (naked, if necessary) to make this a part of your life.

  • Bob Mould -

    Bob Mould: District Line
    I picked this up when I saw him play live back in March, but it wasn't until earlier this week that it really caught and held my ear. Overall, this is a very solid album - with several songs that would sound perfectly in place with any of your favorite Sugar CDs - but two songs stand out head and shoulders above the rest. The first is "Again and Again," which I'd been mishearing (and enjoying) for months as a classic bitter Bob sendoff to an ex-lover, along the lines of "Explode and Make Up." Wrong: a closer examination (read: I started paying attention) shows that behind the gorgeous Richard Thompson-esque guitar solo and great ragged Bob voice lies nothing less than a heart-wrenching account of a life spiraling downward and out of control... in short, a suicide note. I can't remember suddenly hearing a song I've been half-listening to and GETTING it like this - and being so deeply moved - since the light turned on for me with Peter Gabriel's "Family Snapshot" back in high school. What's really impressive is that "Again and Again" bookends with "Old Highs New Lows," which is as lovely a song as he's ever recorded -- a love song, basically, to his life in music. The song blurs slightly into electronica (a relatively recent passion of Mr. Mould's, thoroughly explored on his never-to-be-heard-by-me album "Modulate"), but in the end it's just a gorgeous piece of work. Viva Bob!

  • The Autumns -

    The Autumns: Fake Noise From a Box of Toys
    Here's the thing: I can see what they were trying to do, and I think they succeeded. But I just don't enjoy it. Over the past decade-plus, The Autumns have created some of the most strange, beautiful and drama-soaked music anywhere -- try listening to The Boy With Aluminum Stilts or Hush, Plain Girls and not be moved by the power of what you hear. That being said, it's clear they came at this new album with a different tactic... it's like they're trying to capture the dischordant sounds of a world coming apart at the seams. And they do it, with great skill. But. That strange beauty that characterized so much of their earlier music is gone... and with it, my ability to enjoy this album.

Reading is Fundamental

  • Koushun Takami: Battle Royale

    Koushun Takami: Battle Royale
    A completely insane Japanese update on "Lord of the Flies." The writing (or the translation) is on the crude side, but there's no denying the visceral impact of a plot where, as part of a government program, 42 Japanese teenagers are dropped onto an island and told to start killing each other.

  • Boston Teran: Never Count Out the Dead

    Boston Teran: Never Count Out the Dead
    Another ferocious crime novel from the mysterious and psuedonymous Boston Teran -- this one featuring what may be the single most damaged mother-daughter relationship in literary history. Not for the weak of heart.

  • Suzanne Finnamore: Otherwise Engaged: A Novel

    Suzanne Finnamore: Otherwise Engaged: A Novel
    This was a Jonniker recommendation, and while I bought it for TheWife as a birthday gift I have to admit I was a little apprehensive about it -- most of the blurb reviews spotlighted this as chick lit in its most classic sense. Now, don't get me wrong: I enjoyed Bridget Jones' Diary (the movie, at least) as much as anyone else, and I definitely understand the appeal of the genre. But it's not something I usually stray into. Well, let me clarify: this isn't chick lit... this is fucking GOOD writing. The trappings of the plot - woman in her 30s gets engaged, has doubts, gets stressed, hurtles toward her wedding - scream chick lit, but the execution is waaaaaay beyond anything you'd associate with that diminutizing description. Finnamore has an eye for detail that is razor sharp in the sense that not only does she capture unexpected nuances in crystalline perfection, but in that the observations cut deep and true -- transforming her very funny scene-snippits into snapshots of a life gone numb with entitlement and pointless ambition and defensive sarcasm and, beneath it all, a deep and profound and nameless fear of the known and the unknown and everything in between. The fact that the novel manages to achieve all of this depth while simultaneously being funny and entertaining is just about the highest praise I can imagine. Screw genre categorization -- this is great writing.

  • Barry Eisler: The Last Assassin

    Barry Eisler: The Last Assassin
    Is it a bad sign when you're 110 pages into a theoretically fast-paced thriller and all you can think is that you wish you'd picked up something else instead? Probably. (Update: uh... yeah, that was a bad sign. What a disappointment from a usually reliable author.)

  • Kim Stanley Robinson: Antarctica

    Kim Stanley Robinson: Antarctica
    672 pages of ecopolitics. There's a lot to admire in this book - the in-depth portrayal of societies in microcosm, feng shui, geology/glaciology, the way global politics impact lives on a small scale, etc. - but in the end I think I admired it more than I enjoyed it. Although there was a span of about 200 pages or so where Robinson managed to weave in a pretty compelling adventure/survival story... if only more of the book had been that riveting.

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